<?xml version="1.0" encoding="UTF-8"?>
<feed xml:lang="en" xmlns="http://www.w3.org/2005/Atom">
  <title>The Verge -  Favorites</title>
  <subtitle></subtitle>
  <icon>http://cdn1.sbnation.com/community_logos/34086/verge-fv.png</icon>
  <updated>2013-05-24T14:29:03Z</updated>
  <id>http://www.theverge.com/rss/group/favorites/index.xml</id>
  <link type="text/html" rel="alternate" href="http://www.theverge.com/label/favorites"/>
  <entry>
    <published>2013-05-24T14:29:03Z</published>
    <updated>2013-05-24T14:29:03Z</updated>
    <title>Verge Favorites: Carl Franzen</title>
    <content type="html">
  




  &lt;img alt=&quot;Carl&quot; src=&quot;http://cdn1.sbnation.com/entry_photo_images/8060249/carl.franzen_large.jpg&quot; /&gt;







  &lt;p&gt;The &lt;i&gt;Verge&lt;/i&gt; staffers aren't just people who love technology. They're people who love stuff. We spend as much time talking and thinking about our favorite books, music, and movies as we do debating the best smartphone to buy or what point-and-shoot has the tightest macro. We thought it would make sense to share our latest obsessions with &lt;i&gt;Verge&lt;/i&gt; readers, and we hope you're encouraged to share your favorites with us. Thus a &lt;a href=&quot;http://www.theverge.com/2012/7/11/3151357/verge-favorites-in-the-forums&quot;&gt;long, healthy debate&lt;/a&gt; will ensue where we all end up with new things to read, listen to, or try on.&lt;/p&gt;
&lt;table width=&quot;100%&quot; style=&quot;margin: 20px 0 0 0;&quot;&gt;&lt;tbody&gt;&lt;tr&gt;
&lt;th style=&quot;padding: 4px 0 0 0; margin: 0px&quot;&gt; 
&lt;h2 style=&quot;text-align: left&quot;&gt;'Fringe', Fox (2008-2012)&lt;/h2&gt;
&lt;/th&gt; 
&lt;td rowspan=&quot;2&quot; style=&quot;width: 65px; padding: 16px 0 0 0;&quot;&gt;&lt;img src=&quot;http://assets.sbnation.com/assets/1283800/fav_tvshow.png&quot; class=&quot;photo&quot; alt=&quot;Fav_tvshow&quot;&gt;&lt;/td&gt;
&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;table width=&quot;100%&quot; style=&quot;margin: 0px;&quot;&gt;&lt;tbody&gt;&lt;tr&gt;
&lt;td style=&quot;padding: 5px 10px 0 0;vertical-align: top;&quot;&gt;&lt;img src=&quot;http://assets.sbnation.com/assets/2502165/Fringe.jpg&quot; width=&quot;150px&quot; class=&quot;photo&quot; alt=&quot;Fringe&quot;&gt;&lt;/td&gt;

&lt;td style=&quot;text-align: left;vertical-align: top;padding: 0 0 0 5px;&quot;&gt;
&lt;p&gt;I&amp;rsquo;m hit or miss when it comes to J.J. Abrams: I liked &lt;i&gt;Alias&lt;/i&gt;, not so much &lt;i&gt;Lost&lt;/i&gt;. But &lt;a target=&quot;_blank&quot; href=&quot;https://itunes.apple.com/us/tv-season/fringe-season-1/id290783671&quot;&gt;this sci-fi show&lt;/a&gt; &amp;mdash; a post-9/11 paean to body horror, has grown on me so much since I began watching it straight through on Apple TV a few months ago. If I didn&amp;rsquo;t know who made it, I&amp;rsquo;d guess it was some sort of &lt;i&gt;X-Files&lt;/i&gt; spin-off directed by David Cronenberg, written and produced by James Cameron. Cheesy and completely, ludicrously unscientific at times, yet cleverer than its premise would suggest, it&amp;rsquo;s a paranoid thriller on acid (often quite literally), clearly homaging overlooked 20th-century sci-fi cinema greats, from &lt;i&gt;Altered States&lt;/i&gt; to &lt;i&gt;Relic&lt;/i&gt;. &lt;i&gt;Fringe&amp;rsquo;s&lt;/i&gt; constant cliffhanger screenwriting benefits from binge-watching via digital streaming, too. Don&amp;rsquo;t be afraid. Plunge in.&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;table width=&quot;100%&quot; style=&quot;margin: 20px 0 0 0;&quot;&gt;&lt;tbody&gt;&lt;tr&gt;
&lt;th style=&quot;padding: 4px 0 0 0; margin: 0px&quot;&gt; 
&lt;h2 style=&quot;text-align: left&quot;&gt;'Optica,' by the Shout Out Louds (2013)&lt;/h2&gt;
&lt;/th&gt; 
&lt;td rowspan=&quot;2&quot; style=&quot;width: 65px; padding: 16px 0 0 0;&quot;&gt;&lt;img src=&quot;http://assets.sbnation.com/assets/1228893/fav_lp.png&quot; class=&quot;photo&quot; alt=&quot;Fav_lp&quot;&gt;&lt;/td&gt;
&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;table width=&quot;100%&quot; style=&quot;margin: 0px;&quot;&gt;&lt;tbody&gt;&lt;tr&gt;
&lt;td style=&quot;padding: 5px 10px 0 0;vertical-align: top;&quot;&gt;&lt;img src=&quot;http://assets.sbnation.com/assets/2502181/ShoutOutLoud.jpg&quot; width=&quot;150px&quot; class=&quot;photo&quot; alt=&quot;ShoutOutLoud&quot;&gt;&lt;/td&gt;

&lt;td style=&quot;text-align: left;vertical-align: top;padding: 0 0 0 5px;&quot;&gt;
&lt;p&gt;I was prepared to like this record from its first single &lt;a target=&quot;_blank&quot; href=&quot;http://www.youtube.com/watch?v=U9Q88uTdgWY&quot;&gt;on ice&lt;/a&gt;, but wholly unprepared for how much I love it. For a while, this Swedish indie rock band was one of many post-punk staples for me &amp;mdash; not a favorite, not exceptional, just solid, fun listening. But &lt;a target=&quot;_blank&quot; href=&quot;http://www.youtube.com/watch?v=hGqoiv0a_Xk&quot;&gt;&lt;i&gt;Optica&lt;/i&gt;&lt;/a&gt; is surely their best record yet. It&amp;rsquo;s one of those rare albums that&amp;rsquo;s not only instantly catchy, but that improves with every listen. It&amp;rsquo;s also incredibly flexible &amp;mdash; good for work, working out, or in a social setting. The lyrics are extremely repetitive. Okay, not J.T. repetitive, but initially they sound like pop punk unrequited love chants. But listen closer and they become much, much more interesting, especially taken as a full album. Can&amp;rsquo;t recommend highly enough.&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;table width=&quot;100%&quot; style=&quot;margin: 20px 0 0 0;&quot;&gt;&lt;tbody&gt;&lt;tr&gt;
&lt;th style=&quot;padding: 4px 0 0 0; margin: 0px&quot;&gt; 
&lt;h2 style=&quot;text-align: left&quot;&gt;Neutral.fm (2013)&lt;/h2&gt;
&lt;/th&gt; 
&lt;td rowspan=&quot;2&quot; style=&quot;width: 65px; padding: 16px 0 0 0;&quot;&gt;&lt;img src=&quot;http://assets.sbnation.com/assets/1247527/fav_podcast.png&quot; class=&quot;photo&quot; alt=&quot;Fav_podcast&quot;&gt;&lt;/td&gt;
&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;table width=&quot;100%&quot; style=&quot;margin: 0px;&quot;&gt;&lt;tbody&gt;&lt;tr&gt;
&lt;td style=&quot;padding: 5px 10px 0 0;vertical-align: top;&quot;&gt;&lt;img src=&quot;http://assets.sbnation.com/assets/2502189/Neutralfm.jpeg&quot; width=&quot;150px&quot; class=&quot;photo&quot; alt=&quot;NeutralFM&quot;&gt;&lt;/td&gt;

&lt;td style=&quot;text-align: left;vertical-align: top;padding: 0 0 0 5px;&quot;&gt;
&lt;p&gt;&lt;a target=&quot;_blank&quot; href=&quot;http://neutral.fm/&quot;&gt;This is a car show&lt;/a&gt; for non-car people by popular tech podcasters John Siracusa, Marco Arment, and Casey Liss. It just concluded its 12-episode long &amp;ldquo;miniseries&amp;rdquo; run, and it&amp;rsquo;s unclear if it will ever resume again. But it&amp;rsquo;s worth a listen now, all the way through, even if you hated their other shows. Maybe I like it so much because I don&amp;rsquo;t own a car myself but have a lingering idolization of them due to leafing through my Dad&amp;rsquo;s copies of &lt;i&gt;Road &amp; Track&lt;/i&gt; growing up and being forced to listen to &lt;i&gt;Car Talk&lt;/i&gt; (also recently ended) on public radio with him. Car buffs are warned to stay away, or suffer intense aggravation.&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;table width=&quot;100%&quot; style=&quot;margin: 20px 0 0 0;&quot;&gt;&lt;tbody&gt;&lt;tr&gt;
&lt;th style=&quot;padding: 4px 0 0 0; margin: 0px&quot;&gt; 
&lt;h2 style=&quot;text-align: left&quot;&gt;Grilled cheese&lt;/h2&gt;
&lt;/th&gt; 
&lt;td rowspan=&quot;2&quot; style=&quot;width: 65px; padding: 16px 0 0 0;&quot;&gt;&lt;img src=&quot;http://assets.sbnation.com/assets/2501721/fav_food.png&quot; class=&quot;photo&quot; alt=&quot;Fav_food&quot;&gt;&lt;/td&gt;
&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;table width=&quot;100%&quot; style=&quot;margin: 0px;&quot;&gt;&lt;tbody&gt;&lt;tr&gt;
&lt;td style=&quot;padding: 5px 10px 0 0;vertical-align: top;&quot;&gt;&lt;img src=&quot;http://assets.sbnation.com/assets/2501985/Grilled_cheese_with_soup.jpg&quot; width=&quot;150px&quot; class=&quot;photo&quot; alt=&quot;Grilled_cheese_with_soup&quot;&gt;&lt;/td&gt;

&lt;td style=&quot;text-align: left;vertical-align: top;padding: 0 0 0 5px;&quot;&gt;
&lt;p&gt;When I was a bachelor, I used to eat a can or two of &lt;a target=&quot;_blank&quot; href=&quot;http://www.amys.com/products/product-detail/beans-and-chili/000512&quot;&gt;Amy&amp;rsquo;s vegetarian Chili (spicy)&lt;/a&gt; most nights for dinner. Then I moved in with my girlfriend and she convinced me there were better, cheaper foods to be had. Grilled cheese is my new go-to. I like to fry some &lt;a target=&quot;_blank&quot; href=&quot;http://www.tofurky.com/tempehproducts/marinated_strips.html&quot;&gt;Turtle Island tempeh bacon&lt;/a&gt; and drop that in between the cheese slices. Butter on one side of the bread and the frying pan itself. Cheese on both pieces of bread (duh)!&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;table width=&quot;100%&quot; style=&quot;margin: 20px 0 0 0;&quot;&gt;&lt;tbody&gt;&lt;tr&gt;
&lt;th style=&quot;padding: 4px 0 0 0; margin: 0px&quot;&gt; 
&lt;h2 style=&quot;text-align: left&quot;&gt;'The Magicians' by Lev Grossman (2010)&lt;/h2&gt;
&lt;/th&gt; 
&lt;td rowspan=&quot;2&quot; style=&quot;width: 65px; padding: 16px 0 0 0;&quot;&gt;&lt;img src=&quot;http://assets.sbnation.com/assets/1240215/fav_book.png&quot; class=&quot;photo&quot; alt=&quot;Fav_book&quot;&gt;&lt;/td&gt;
&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;table width=&quot;100%&quot; style=&quot;margin: 0px;&quot;&gt;&lt;tbody&gt;&lt;tr&gt;
&lt;td style=&quot;padding: 5px 10px 0 0;vertical-align: top;&quot;&gt;&lt;img src=&quot;http://assets.sbnation.com/assets/2502197/TheMagicians.jpg&quot; width=&quot;150px&quot; class=&quot;photo&quot; alt=&quot;Themagicians&quot;&gt;&lt;/td&gt;

&lt;td style=&quot;text-align: left;vertical-align: top;padding: 0 0 0 5px;&quot;&gt;
&lt;p&gt;Confession: I never completed the &lt;i&gt;Harry Potter&lt;/i&gt; series. I made it to book 5, which I finished, but was too put-off by &amp;ldquo;angry&amp;rdquo; Harry&amp;rsquo;s faux angsty self-loathing to continue. But anybody that&amp;rsquo;s even dimly aware of the boy wizard&amp;rsquo;s saga should appreciate how it is both subverted and honored  by &lt;a target=&quot;_blank&quot; href=&quot;http://www.amazon.com/Magicians-Novel-Lev-Grossman/dp/0452296293&quot;&gt;&lt;i&gt;The Magicians&lt;/i&gt;&lt;/a&gt;, a more mature look at what attending a school for magic would be like, written by &lt;i&gt;Time&lt;/i&gt; magazine&amp;rsquo;s book critic. Those readers who took a deeper dive into the works of actual Victorian-era magicians, e.g. Aleister Crowley, will appreciate it even more. The sequel, &lt;i&gt;The Magician King&lt;/i&gt;, slumps a bit but is still a worthy follow-up, and I look forward to book three in the series.&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;



</content>
    <link type="text/html" rel="alternate" href="http://www.theverge.com/2013/5/24/4242658/verge-favorites-carl-franzen"/>
    <id>http://www.theverge.com/2013/5/24/4242658/verge-favorites-carl-franzen</id>
    <author>
      <name>Carl Franzen</name>
    </author>
  </entry>
  <entry>
    <published>2013-05-17T18:42:03Z</published>
    <updated>2013-05-17T18:42:03Z</updated>
    <title>Verge Favorites: Katie Drummond</title>
    <content type="html">
  




  &lt;img alt=&quot;Katie_favorites_large&quot; src=&quot;http://cdn3.sbnation.com/entry_photo_images/8216495/Katie_favorites_large.jpg&quot; /&gt;







  &lt;p&gt;The Verge staffers aren't just people who love technology. They're people who love stuff. We spend as much time talking and thinking about our favorite books, music, and movies as we do debating the best smartphone to buy or what point-and-shoot has the tightest macro. We thought it would make sense to share our latest obsessions with &lt;i&gt;Verge&lt;/i&gt; readers, and we hope you're encouraged to share your favorites with us. Thus a &lt;a href=&quot;http://www.theverge.com/2012/7/11/3151357/verge-favorites-in-the-forums&quot;&gt;long, healthy debate&lt;/a&gt; will ensue where we all end up with new things to read, listen to, or try on.&lt;/p&gt;
 
&lt;hr class=&quot;widget_boundry_marker hidden page_break&quot;&gt;
&lt;table width=&quot;100%&quot; style=&quot;margin: 20px 0 0 0;&quot;&gt;&lt;tbody&gt;&lt;tr&gt;
&lt;th style=&quot;padding: 4px 0 0 0; margin: 0px&quot;&gt; 
&lt;h2 style=&quot;text-align: left&quot;&gt;Hullabaloo Zinfandel&lt;/h2&gt;
&lt;/th&gt; 
&lt;td rowspan=&quot;2&quot; style=&quot;width: 65px; padding: 16px 0 0 0;&quot;&gt;&lt;img src=&quot;http://assets.sbnation.com/assets/1910557/fav_drink.png&quot; class=&quot;photo&quot; alt=&quot;Fav_drink&quot;&gt;&lt;/td&gt;
&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;table width=&quot;100%&quot; style=&quot;margin: 0px;&quot;&gt;&lt;tbody&gt;&lt;tr&gt;
&lt;td style=&quot;padding: 5px 10px 0 0;vertical-align: top;&quot;&gt;&lt;img src=&quot;http://assets.sbnation.com/assets/2570019/hullabalooZinfandel.jpg&quot; width=&quot;150px&quot; class=&quot;photo&quot; alt=&quot;Hullabaloozinfandel&quot;&gt;&lt;/td&gt;

&lt;td style=&quot;text-align: left;vertical-align: top;padding: 0 0 0 5px;&quot;&gt;
&lt;p&gt;Drinking wine is a top priority for me, and I&amp;rsquo;ve increasingly enjoyed learning about different varieties (particularly of the red persuasion) in recent years. Discovering the world of zinfandels was something of a revelation, and Hullabaloo has become my label of choice. It&amp;rsquo;s full-bodied, versatile, and at around $13 (in New York) relatively inexpensive. I go out of my way to buy it, and strongly suggest that you do the same.&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;table width=&quot;100%&quot; style=&quot;margin: 20px 0 0 0;&quot;&gt;&lt;tbody&gt;&lt;tr&gt;
&lt;th style=&quot;padding: 4px 0 0 0; margin: 0px&quot;&gt; 
&lt;h2 style=&quot;text-align: left&quot;&gt;Tegan and Sara 'Heartthrob'&lt;/h2&gt;
&lt;/th&gt; 
&lt;td rowspan=&quot;2&quot; style=&quot;width: 65px; padding: 16px 0 0 0;&quot;&gt;&lt;img src=&quot;http://assets.sbnation.com/assets/1228893/fav_lp.png&quot; class=&quot;photo&quot; alt=&quot;Fav_lp&quot;&gt;&lt;/td&gt;
&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;table width=&quot;100%&quot; style=&quot;margin: 0px;&quot;&gt;&lt;tbody&gt;&lt;tr&gt;
&lt;td style=&quot;padding: 5px 10px 0 0;vertical-align: top;&quot;&gt;&lt;img src=&quot;http://assets.sbnation.com/assets/2570035/heartthrob.jpg&quot; width=&quot;150px&quot; class=&quot;photo&quot;&gt;&lt;/td&gt;

&lt;td style=&quot;text-align: left;vertical-align: top;padding: 0 0 0 5px;&quot;&gt;
&lt;p&gt;Drummond trivia: I grew up in the same Canadian city as Tegan and Sara, and their mom was my therapist in middle school. I spent a lot of time in her office, staring at framed photos of the twins, and imagining myself as the third sister. If only. They remain my favorite band to this day, and although I set out to spurn their latest release &amp;mdash; because admit it, they did the sell-out thing &amp;mdash; it&amp;rsquo;s undeniably awesome. &amp;ldquo;Now I&amp;rsquo;m All Messed Up&amp;rdquo; is the best track, and that&amp;rsquo;s not really up for debate.&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;table width=&quot;100%&quot; style=&quot;margin: 20px 0 0 0;&quot;&gt;&lt;tbody&gt;&lt;tr&gt;
&lt;th style=&quot;padding: 4px 0 0 0; margin: 0px&quot;&gt; 
&lt;h2 style=&quot;text-align: left&quot;&gt;Asics Gel Cumulus 14&lt;/h2&gt;
&lt;/th&gt; 
&lt;td rowspan=&quot;2&quot; style=&quot;width: 65px; padding: 16px 0 0 0;&quot;&gt;&lt;img src=&quot;http://assets.sbnation.com/assets/2570107/fav_shoe.png&quot; class=&quot;photo&quot; alt=&quot;Fav_shoe&quot;&gt;&lt;/td&gt;
&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;table width=&quot;100%&quot; style=&quot;margin: 0px;&quot;&gt;&lt;tbody&gt;&lt;tr&gt;
&lt;td style=&quot;padding: 5px 10px 0 0;vertical-align: top;&quot;&gt;&lt;img src=&quot;http://assets.sbnation.com/assets/2570043/GEL-Cumulus-14.jpg&quot; width=&quot;150px&quot; class=&quot;photo&quot; alt=&quot;Gel-cumulus-14&quot;&gt;&lt;/td&gt;

&lt;td style=&quot;text-align: left;vertical-align: top;padding: 0 0 0 5px;&quot;&gt;
&lt;p&gt;My dad always told me, &amp;ldquo;when you find the right running shoe, buy in multiples.&amp;rdquo; I took his advice when I got my first pair of these Asics last year, and now have four pairs in various stages of sweaty-and-dirty decay. I can&amp;rsquo;t promise these shoes will address your own athletic needs, but for someone with a high arch and relatively neutral pronation, they&amp;rsquo;re perfection. Bonus points because they don&amp;rsquo;t have the obnoxious orange-and-purple color vibe that tends to ruin otherwise decent women&amp;rsquo;s running shoes.&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;table width=&quot;100%&quot; style=&quot;margin: 20px 0 0 0;&quot;&gt;&lt;tbody&gt;&lt;tr&gt;
&lt;th style=&quot;padding: 4px 0 0 0; margin: 0px&quot;&gt; 
&lt;h2 style=&quot;text-align: left&quot;&gt;Apple iPod Shuffle&lt;/h2&gt;
&lt;/th&gt; 
&lt;td rowspan=&quot;2&quot; style=&quot;width: 65px; padding: 16px 0 0 0;&quot;&gt;&lt;img src=&quot;http://assets.sbnation.com/assets/2570163/fav_gadget.png&quot; class=&quot;photo&quot; alt=&quot;Fav_gadget&quot;&gt;&lt;/td&gt;
&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;table width=&quot;100%&quot; style=&quot;margin: 0px;&quot;&gt;&lt;tbody&gt;&lt;tr&gt;
&lt;td style=&quot;padding: 5px 10px 0 0;vertical-align: top;&quot;&gt;&lt;img src=&quot;http://assets.sbnation.com/assets/2570179/ipodShuffle.png&quot; width=&quot;150px&quot; class=&quot;photo&quot; alt=&quot;Ipodshuffle&quot;&gt;&lt;/td&gt;

&lt;td style=&quot;text-align: left;vertical-align: top;padding: 0 0 0 5px;&quot;&gt;
&lt;p&gt;I&amp;rsquo;ll get crap for this one, but the iPod Shuffle remains my favorite gadget, even after all these years. Yes, the battery sucks. Yes, it breaks relatively easily. Yes, I&amp;rsquo;ve lost at least three of them. But the Shuffle still fulfills important requirements for me: lightweight, clips onto clothing, is a separate entity from my phone (because the buzz of texts, emails, and calls is really annoying when I&amp;rsquo;m trying to listen to music).  Oh, and it syncs with my iTunes account, which, because I&amp;rsquo;ve amassed an enormous library of iTunes music, has become extremely important.&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;table width=&quot;100%&quot; style=&quot;margin: 20px 0 0 0;&quot;&gt;&lt;tbody&gt;&lt;tr&gt;
&lt;th style=&quot;padding: 4px 0 0 0; margin: 0px&quot;&gt; 
&lt;h2 style=&quot;text-align: left&quot;&gt;'Science Ink' by Carl Zimmer&lt;/h2&gt;
&lt;/th&gt; 
&lt;td rowspan=&quot;2&quot; style=&quot;width: 65px; padding: 16px 0 0 0;&quot;&gt;&lt;img src=&quot;http://assets.sbnation.com/assets/1240215/fav_book.png&quot; class=&quot;photo&quot; alt=&quot;Fav_book&quot;&gt;&lt;/td&gt;
&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;table width=&quot;100%&quot; style=&quot;margin: 0px;&quot;&gt;&lt;tbody&gt;&lt;tr&gt;
&lt;td style=&quot;padding: 5px 10px 0 0;vertical-align: top;&quot;&gt;&lt;img src=&quot;http://assets.sbnation.com/assets/2570219/ScienceInk.jpg&quot; width=&quot;150px&quot; class=&quot;photo&quot; alt=&quot;Scienceink&quot;&gt;&lt;/td&gt;

&lt;td style=&quot;text-align: left;vertical-align: top;padding: 0 0 0 5px;&quot;&gt;
&lt;p&gt;Yes, this book is a few years old. But when I was gearing up to launch Verge Science, I picked it up again for some inspiration. If you&amp;rsquo;re not familiar with the book, a primer: Carl Zimmer compiled the best, most awe-inspiring tattoos from science lovers around the world, and used those tattoos to explain the scientific concepts that informed them. A book that manages to celebrate science and tattoos in equal measure? That&amp;rsquo;s an awesome damn book.&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;



</content>
    <link type="text/html" rel="alternate" href="http://www.theverge.com/2013/5/17/4296918/verge-favorites-katie-drummond"/>
    <id>http://www.theverge.com/2013/5/17/4296918/verge-favorites-katie-drummond</id>
    <author>
      <name>Katie Drummond</name>
    </author>
  </entry>
  <entry>
    <published>2013-05-03T16:00:05Z</published>
    <updated>2013-05-03T16:00:05Z</updated>
    <title>Verge Favorites: James Chae</title>
    <content type="html">
  




  &lt;img alt=&quot;Favorites_chae_large&quot; src=&quot;http://cdn0.sbnation.com/entry_photo_images/8055833/favorites_chae_large.jpg&quot; /&gt;







  &lt;p&gt;The Verge staffers aren't just people who love technology. They're people who love stuff. We spend as much time talking and thinking about our favorite books, music, and movies as we do debating the best smartphone to buy or what point-and-shoot has the tightest macro. We thought it would make sense to share our latest obsessions with &lt;i&gt;Verge&lt;/i&gt; readers, and we hope you're encouraged to share your favorites with us. Thus a &lt;a href=&quot;http://www.theverge.com/2012/7/11/3151357/verge-favorites-in-the-forums&quot;&gt;long, healthy debate&lt;/a&gt; will ensue where we all end up with new things to read, listen to, or try on. Today, designer James Chae shares his picks.&lt;/p&gt;
 
&lt;hr class=&quot;widget_boundry_marker hidden page_break&quot;&gt;
&lt;p class=&quot;hidden&quot;&gt;
&lt;style type=&quot;text/css&quot; class=&quot;sidebar&quot;&gt;
.mobile-layout h2 {
 font-size: 24px;
 font-weight: normal;
 color: black;
 text-transform: uppercase;
 line-height: 1;
 font-family: ff-din-web-condensed,helvetica,sans-serif;
 margin: 30px 0 10px 0;
 background:none; 
}
.mobile-layout tr td {
 width:50%;
padding: 16px 0 0 0;
}
&lt;/style&gt;&lt;/p&gt;
 
&lt;table style=&quot;margin: 20px 0 0 0;&quot; width=&quot;100%&quot;&gt;&lt;tbody&gt;&lt;tr&gt;
&lt;th style=&quot;padding: 4px 0 0 0; margin: 0px&quot;&gt; 
&lt;h2 style=&quot;text-align: left&quot;&gt;Section.80&lt;/h2&gt;
&lt;/th&gt; 
&lt;td style=&quot;width: 65px; padding: 16px 0 0 0;&quot; rowspan=&quot;2&quot;&gt;&lt;img src=&quot;http://assets.sbnation.com/assets/1228893/fav_lp.png&quot; class=&quot;photo&quot;&gt;&lt;/td&gt;
&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;table style=&quot;margin: 0px;&quot; width=&quot;100%&quot;&gt;&lt;tbody&gt;&lt;tr&gt;
&lt;td style=&quot;padding: 5px 10px 0 0;vertical-align: top;&quot;&gt;&lt;img class=&quot;photo&quot; width=&quot;150px&quot; src=&quot;http://assets.sbnation.com/assets/2497897/chae_section80.jpg&quot;&gt;&lt;/td&gt;

&lt;td style=&quot;text-align: left;vertical-align: top;padding: 0 0 0 5px;&quot;&gt;
&lt;p&gt;I wasn&amp;rsquo;t allowed to listen to rap music when I was growing up. When I was in college, &quot;conscious rap&quot; was all the rage. So I missed out on a lot of classic rap, but Kendrick caught me up in his 2011 mixtape &lt;em&gt;Section.80,&lt;/em&gt; a 60-minute long diary that takes you through the streets of Compton&amp;rsquo;s sociopolitical past. For anyone confused about the contradictions in hip hop culture, please listen to this tape.&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;table style=&quot;margin: 20px 0 0 0;&quot; width=&quot;100%&quot;&gt;&lt;tbody&gt;&lt;tr&gt;
&lt;th style=&quot;padding: 4px 0 0 0; margin: 0px&quot;&gt; 
&lt;h2 style=&quot;text-align: left&quot;&gt;Olympus XA&lt;/h2&gt;
&lt;/th&gt; 
&lt;td style=&quot;width: 65px; padding: 16px 0 0 0;&quot; rowspan=&quot;2&quot;&gt;&lt;img src=&quot;http://assets.sbnation.com/assets/1240243/fav_object.png&quot; class=&quot;photo&quot;&gt;&lt;/td&gt;
&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;table style=&quot;margin: 0px;&quot; width=&quot;100%&quot;&gt;&lt;tbody&gt;&lt;tr&gt;
&lt;td style=&quot;padding: 5px 10px 0 0;vertical-align: top;&quot;&gt;&lt;img class=&quot;photo&quot; width=&quot;150px&quot; src=&quot;http://assets.sbnation.com/assets/2497899/chae_olympus.jpg&quot;&gt;&lt;/td&gt;

&lt;td style=&quot;text-align: left;vertical-align: top;padding: 0 0 0 5px;&quot;&gt;
&lt;p&gt;My first post-graduate apartment was broken into and my laptop and digital camera were both stolen. Rather than go out and get a new digital point-and-shoot, I decided to explore film cameras. I stumbled upon the Olympus XA after some flickr and &lt;a target=&quot;_blank&quot; href=&quot;http://camerapedia.wikia.com/wiki/Camerapedia&quot;&gt;Camerpedia&lt;/a&gt; browsing. This &amp;ldquo;professional&amp;rsquo;s point-and-shoot&amp;rdquo; is a great piece of hardware. For $30 it&amp;rsquo;s a much better camera than a Lomo and you get &lt;a target=&quot;_blank&quot; href=&quot;http://www.flickr.com/photos/jchae/2209772247/&quot;&gt;similar effects&lt;/a&gt;.&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;table style=&quot;margin: 20px 0 0 0;&quot; width=&quot;100%&quot;&gt;&lt;tbody&gt;&lt;tr&gt;
&lt;th style=&quot;padding: 4px 0 0 0; margin: 0px&quot;&gt; 
&lt;h2 style=&quot;text-align: left&quot;&gt;Akzidenz-Grotesk&lt;/h2&gt;
&lt;/th&gt; 
&lt;td style=&quot;width: 65px; padding: 16px 0 0 0;&quot; rowspan=&quot;2&quot;&gt;&lt;img src=&quot;http://assets.sbnation.com/assets/2497849/fav_typeface.png&quot; class=&quot;photo&quot;&gt;&lt;/td&gt;
&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;table style=&quot;margin: 0px;&quot; width=&quot;100%&quot;&gt;&lt;tbody&gt;&lt;tr&gt;
&lt;td style=&quot;padding: 5px 10px 0 0;vertical-align: top;&quot;&gt;&lt;img class=&quot;photo&quot; width=&quot;150px&quot; src=&quot;http://assets.sbnation.com/assets/2497903/chae_akzidenz.jpg&quot;&gt;&lt;/td&gt;

&lt;td style=&quot;text-align: left;vertical-align: top;padding: 0 0 0 5px;&quot;&gt;
&lt;p&gt;Designed by G&amp;uuml;nter Gerhard Lange, &lt;a target=&quot;_blank&quot; href=&quot;http://en.wikipedia.org/wiki/Akzidenz-Grotesk&quot;&gt;Akzidenz&lt;/a&gt; is a true workhorse typeface. Many will mistake it for Helvetica, but this is that Swiss whimp&amp;rsquo;s grandpa. Lange originally designed the family in 1896, and expanded it during the '50s to its current form. Not only is it a beautifully drawn typeface, it's got a wide range of weights (light, italic, bold, etc&amp;hellip;) I use Akzidenz-Grotesk Medium Condensed on my personal business cards.&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;table style=&quot;margin: 20px 0 0 0;&quot; width=&quot;100%&quot;&gt;&lt;tbody&gt;&lt;tr&gt;
&lt;th style=&quot;padding: 4px 0 0 0; margin: 0px&quot;&gt; 
&lt;h2 style=&quot;text-align: left&quot;&gt;Anish Kapoor&lt;/h2&gt;
&lt;/th&gt; 
&lt;td style=&quot;width: 65px; padding: 16px 0 0 0;&quot; rowspan=&quot;2&quot;&gt;&lt;img src=&quot;http://assets.sbnation.com/assets/1251707/fav_artist.png&quot; class=&quot;photo&quot;&gt;&lt;/td&gt;
&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;table style=&quot;margin: 0px;&quot; width=&quot;100%&quot;&gt;&lt;tbody&gt;&lt;tr&gt;
&lt;td style=&quot;padding: 5px 10px 0 0;vertical-align: top;&quot;&gt;&lt;img class=&quot;photo&quot; width=&quot;150px&quot; src=&quot;http://assets.sbnation.com/assets/2497901/chae_kapoor.jpg&quot;&gt;&lt;/td&gt;

&lt;td style=&quot;text-align: left;vertical-align: top;padding: 0 0 0 5px;&quot;&gt;
&lt;p&gt;The first time I encountered Kapoor&amp;rsquo;s work was at the Tate Modern in London. I was so perplexed by the dark blue box that I actually touched the piece! It was a &lt;a target=&quot;_blank&quot; href=&quot;http://pinchukartcentre.org/imglib/_newimage/photo_and_video/photo/11719/11729/_ill1815.jpg&quot;&gt;deep blue rectangle&lt;/a&gt; that appeared to sink into the wall. I was terrified that my eyes weren&amp;rsquo;t working so I felt no apprehension in touching the piece. His work is simple and it really makes me rethink time. I&amp;rsquo;m always excited to see his work in person, which is increasingly rare in this Tumblr age.&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;table style=&quot;margin: 20px 0 0 0;&quot; width=&quot;100%&quot;&gt;&lt;tbody&gt;&lt;tr&gt;
&lt;th style=&quot;padding: 4px 0 0 0; margin: 0px&quot;&gt; 
&lt;h2 style=&quot;text-align: left&quot;&gt;Boiler Room TV&lt;/h2&gt;
&lt;/th&gt; 
&lt;td style=&quot;width: 65px; padding: 16px 0 0 0;&quot; rowspan=&quot;2&quot;&gt;&lt;img src=&quot;http://assets.sbnation.com/assets/1247527/fav_podcast.png&quot; class=&quot;photo&quot;&gt;&lt;/td&gt;
&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;table style=&quot;margin: 0px;&quot; width=&quot;100%&quot;&gt;&lt;tbody&gt;&lt;tr&gt;
&lt;td style=&quot;padding: 5px 10px 0 0;vertical-align: top;&quot;&gt;&lt;img class=&quot;photo&quot; width=&quot;150px&quot; src=&quot;http://assets.sbnation.com/assets/2497905/chae_boilerroom.jpg&quot;&gt;&lt;/td&gt;

&lt;td style=&quot;text-align: left;vertical-align: top;padding: 0 0 0 5px;&quot;&gt;
&lt;p&gt;My second musical passion is house music. What started as a secret party in London has turned into a global music phenomenon. This party series is now active in four cities (London, Berlin, NYC, LA) and has hosted some of the most important DJs and electronic musicians of our time. My personal favorites of recent are: &lt;a target=&quot;new&quot; href=&quot;http://boilerroom.tv/apparat-60-min-mix/&quot;&gt;Apparat&lt;/a&gt;, &lt;a target=&quot;new&quot; href=&quot;http://boilerroom.tv/roman-flugels-60-min-mix/&quot;&gt;Roman Fl&amp;uuml;egel&lt;/a&gt;, &lt;a target=&quot;new&quot; href=&quot;http://boilerroom.tv/kerri-chandler70-min-mix/%22&quot;&gt;Kerri Chandler&lt;/a&gt;, and &lt;a target=&quot;new&quot; href=&quot;http://boilerroom.tv/groundislava-live-in-the-boiler-room/&quot;&gt;Groundislava&lt;/a&gt;. What I love about this show is that by being streamed online it celebrates the open-minded culture of dance music. The parties themselves may be exclusive, but everyone can tune in at home and dance.&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;



</content>
    <link type="text/html" rel="alternate" href="http://www.theverge.com/2013/5/3/4239854/verge-favorites-james-chae"/>
    <id>http://www.theverge.com/2013/5/3/4239854/verge-favorites-james-chae</id>
    <author>
      <name>James Chae</name>
    </author>
  </entry>
  <entry>
    <published>2013-04-10T17:30:06Z</published>
    <updated>2013-04-10T17:30:06Z</updated>
    <title>Verge Favorites: Greg Sandoval</title>
    <content type="html">
  




  &lt;img alt=&quot;1961_1085209693304_1265_n_large&quot; src=&quot;http://cdn0.sbnation.com/entry_photo_images/7996257/1961_1085209693304_1265_n_large.jpg&quot; /&gt;







  &lt;p&gt;The Verge staffers aren't just people who love technology. They're people who love stuff. We spend as much time talking and thinking about our favorite books, music, and movies as we do debating the best smartphone to buy or what point-and-shoot has the tightest macro. We thought it would make sense to share our latest obsessions with &lt;i&gt;Verge&lt;/i&gt; readers, and we hope you're encouraged to share your favorites with us. Thus a &lt;a href=&quot;http://www.theverge.com/2012/7/11/3151357/verge-favorites-in-the-forums&quot;&gt;long, healthy debate&lt;/a&gt; will ensue where we all end up with new things to read, listen to, or try on.&lt;/p&gt;
 
&lt;hr class=&quot;widget_boundry_marker hidden page_break&quot;&gt;
&lt;p class=&quot;hidden&quot;&gt;
&lt;style type=&quot;text/css&quot; class=&quot;sidebar&quot;&gt;
.mobile-layout h2 {
 font-size: 24px;
 font-weight: normal;
 color: black;
 text-transform: uppercase;
 line-height: 1;
 font-family: ff-din-web-condensed,helvetica,sans-serif;
 margin: 30px 0 10px 0;
 background:none; 
}
.mobile-layout tr td {
 width:50%;
padding: 16px 0 0 0;
}
&lt;/style&gt;&lt;/p&gt;
 
&lt;table style=&quot;margin: 20px 0 0 0;&quot; width=&quot;100%&quot;&gt;&lt;tbody&gt;&lt;tr&gt;
&lt;th style=&quot;padding: 4px 0 0 0; margin: 0px&quot;&gt; 
&lt;h2 style=&quot;text-align: left&quot;&gt;Fear and Loathing On The Campaign Trail '72&lt;/h2&gt;
&lt;/th&gt; 
&lt;td style=&quot;width: 65px; padding: 16px 0 0 0;&quot; rowspan=&quot;2&quot;&gt;&lt;img src=&quot;http://assets.sbnation.com/assets/1240215/fav_book.png&quot; class=&quot;photo&quot;&gt;&lt;/td&gt;
&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;table style=&quot;margin: 0px;&quot; width=&quot;100%&quot;&gt;&lt;tbody&gt;&lt;tr&gt;
&lt;td style=&quot;padding: 5px 10px 0 0;vertical-align: top;&quot;&gt;&lt;img alt=&quot;Dubus&quot; class=&quot;photo&quot; width=&quot;150px&quot; src=&quot;http://assets.sbnation.com/assets/2422987/248282.jpg&quot;&gt;&lt;/td&gt;

&lt;td style=&quot;text-align: left;vertical-align: top;padding: 0 0 0 5px;&quot;&gt;
&lt;p&gt;Sure, nobody wrote more entertainingly about debauchery than Hunter Thompson, but what often gets overlooked was the man's eagle eye. The 1972 US Presidential campaign, eventually won by Richard Nixon, was the perfect showcase for Thompson's ability to spot subterfuge. Here, he outs the narcissistic buffoons, public relations sleight of hand, and general double dealing that plagues the American political system. I came away, however, feeling sorry for the author. Despite all the cynicism, it's obvious Thompson loved America and wished the electoral process would evolve into something beyond cheap theater.&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;table style=&quot;margin: 20px 0 0 0;&quot; width=&quot;100%&quot;&gt;&lt;tbody&gt;&lt;tr&gt;
&lt;th style=&quot;padding: 4px 0 0 0; margin: 0px&quot;&gt; 
&lt;h2 style=&quot;text-align: left&quot;&gt;AF-S NIKKOR 24-70mm f/2.8G ED&lt;/h2&gt;
&lt;/th&gt; 
&lt;td style=&quot;width: 65px; padding: 16px 0 0 0;&quot; rowspan=&quot;2&quot;&gt;&lt;img src=&quot;http://assets.sbnation.com/assets/1230620/fav_bag.png&quot; class=&quot;photo&quot;&gt;&lt;/td&gt;
&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;table style=&quot;margin: 0px;&quot; width=&quot;100%&quot;&gt;&lt;tbody&gt;&lt;tr&gt;
&lt;td style=&quot;padding: 5px 10px 0 0;vertical-align: top;&quot;&gt;&lt;img alt=&quot;girls&quot; class=&quot;photo&quot; width=&quot;150px&quot; src=&quot;http://assets.sbnation.com/assets/2422979/jpeg.jpg&quot;&gt;&lt;/td&gt;

&lt;td style=&quot;text-align: left;vertical-align: top;padding: 0 0 0 5px;&quot;&gt;
&lt;p&gt;On a cost / benefit basis, my Nikkor 24-70mm, 2.8G-ED lens is the best purchase I've ever made. Nearly everything I ask of it; portraits, action shots, speakers on stage at tech conferences, low light &amp;mdash; the lens consistently gives me sharp photos. Need shallow depth of field? This bad boy is bokeh-licious. High performance comes at a price though. The Nikkor set me back $1700. It's also a bit clunky. When attached to my D-7000, the rig only takes a couple of hours on my shoulder to leave me sore. Alas, I'll consider that my cross to bear for quality photos.&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;table style=&quot;margin: 20px 0 0 0;&quot; width=&quot;100%&quot;&gt;&lt;tbody&gt;&lt;tr&gt;
&lt;th style=&quot;padding: 4px 0 0 0; margin: 0px&quot;&gt; 
&lt;h2 style=&quot;text-align: left&quot;&gt;Caetano Veloso, Fina Estampa&lt;/h2&gt;
&lt;/th&gt; 
&lt;td style=&quot;width: 65px; padding: 16px 0 0 0;&quot; rowspan=&quot;2&quot;&gt;&lt;img src=&quot;http://assets.sbnation.com/assets/1228893/fav_lp.png&quot; class=&quot;photo&quot;&gt;&lt;/td&gt;
&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;table style=&quot;margin: 0px;&quot; width=&quot;100%&quot;&gt;&lt;tbody&gt;&lt;tr&gt;
&lt;td style=&quot;padding: 5px 10px 0 0;vertical-align: top;&quot;&gt;&lt;img alt=&quot;Josh_album&quot; class=&quot;photo&quot; width=&quot;150px&quot; src=&quot;http://assets.sbnation.com/assets/2422995/cd-cover.jpg&quot;&gt;&lt;/td&gt;

&lt;td style=&quot;text-align: left;vertical-align: top;padding: 0 0 0 5px;&quot;&gt;
&lt;p&gt;The Brazilian woman behind the counter told me Caetano Veloso &quot;is our Frank Sinatra.&quot; To an American, that's a big statement, but one listen to the album &lt;i&gt;Fina Estampa&lt;/i&gt; and it's obvious Veloso can back it up. This is Veloso live, when the timbre and tone of a master vocalist are at their best. Contemporary music fans may hear a little of Radiohead's Thom Yorke in Veloso. Both singers are comfortable in falsetto, but can also drop into a cavernous growl.&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;table style=&quot;margin: 20px 0 0 0;&quot; width=&quot;100%&quot;&gt;&lt;tbody&gt;&lt;tr&gt;
&lt;th style=&quot;padding: 4px 0 0 0; margin: 0px&quot;&gt; 
&lt;h2 style=&quot;text-align: left&quot;&gt;The films of director Luc Besson&lt;/h2&gt;
&lt;/th&gt; 
&lt;td style=&quot;width: 65px; padding: 16px 0 0 0;&quot; rowspan=&quot;2&quot;&gt;&lt;img src=&quot;http://assets.sbnation.com/assets/1228897/fav_mov.png&quot; class=&quot;photo&quot;&gt;&lt;/td&gt;
&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;table style=&quot;margin: 0px;&quot; width=&quot;100%&quot;&gt;&lt;tbody&gt;&lt;tr&gt;
&lt;td style=&quot;padding: 5px 10px 0 0;vertical-align: top;&quot;&gt;&lt;img alt=&quot;sunalso&quot; class=&quot;photo&quot; width=&quot;150px&quot; src=&quot;http://assets.sbnation.com/assets/2422991/MV5BMTkzOTkwNTI4N15BMl5BanBnXkFtZTYwMDIzNzI5._V1_SY317_CR6_0_214_317_.jpg&quot;&gt;&lt;/td&gt;

&lt;td style=&quot;text-align: left;vertical-align: top;padding: 0 0 0 5px;&quot;&gt;
&lt;p&gt;Some of my friends who are film fans, as well as those friends who are French, sneer when I say how much I love the films of director Luc Besson: &lt;i&gt;The Fifth Element&lt;/i&gt;, &lt;i&gt;The Professional&lt;/i&gt; and the now classic &lt;i&gt;Nikita&lt;/i&gt;. Besson was born in Paris but my friend Seraphine calls him &quot;The American!&quot; To critics, Besson is all pretty pictures and no narrative, a style they associate with Hollywood. I've recently watched a string of Besson movies starting with &lt;i&gt;The Big Blue&lt;/i&gt;. His best films typically feature strong but vulnerable female characters besieged by powerful and evil forces. I don't know that there's much to be learned from Besson films. I just know they're fun and beautiful to look at.&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;table style=&quot;margin: 20px 0 0 0;&quot; width=&quot;100%&quot;&gt;&lt;tbody&gt;&lt;tr&gt;
&lt;th style=&quot;padding: 4px 0 0 0; margin: 0px&quot;&gt; 
&lt;h2 style=&quot;text-align: left&quot;&gt;The photographs of Francesca Woodman&lt;/h2&gt;
&lt;/th&gt; 
&lt;td style=&quot;width: 65px; padding: 16px 0 0 0;&quot; rowspan=&quot;2&quot;&gt;&lt;img src=&quot;http://assets.sbnation.com/assets/1251707/fav_artist.png&quot; class=&quot;photo&quot;&gt;&lt;/td&gt;
&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;table style=&quot;margin: 0px;&quot; width=&quot;100%&quot;&gt;&lt;tbody&gt;&lt;tr&gt;
&lt;td style=&quot;padding: 5px 10px 0 0;vertical-align: top;&quot;&gt;&lt;img alt=&quot;peanutmms&quot; class=&quot;photo&quot; width=&quot;150px&quot; src=&quot;http://assets.sbnation.com/assets/2422983/514M81_ainL.jpg&quot;&gt;&lt;/td&gt;

&lt;td style=&quot;text-align: left;vertical-align: top;padding: 0 0 0 5px;&quot;&gt;
&lt;p&gt;Francesca Woodman was a prodigy. Raised by two artists, Woodman took up photography in her early teens. By the time of her suicide at the age of 22, she left a huge body of work &amp;mdash; mostly black-and-white stills. Woodman was expert at using light and shadow as well as mundane objects to convey powerful emotion. Her work is proof that you don't need expensive backdrops, models, or equipment to create compelling photographs.&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;



</content>
    <link type="text/html" rel="alternate" href="http://www.theverge.com/2013/4/10/4185198/verge-favorites-greg-sandoval"/>
    <id>http://www.theverge.com/2013/4/10/4185198/verge-favorites-greg-sandoval</id>
    <author>
      <name>Greg Sandoval</name>
    </author>
  </entry>
</feed>
