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  <title>The Verge -  2013 Sundance Film Festival: technology and film culture mix in Park City</title>
  <subtitle></subtitle>
  <icon>http://cdn1.sbnation.com/community_logos/34086/verge-fv.png</icon>
  <updated>2013-01-26T18:55:47Z</updated>
  <id>http://www.theverge.com/rss/stream/3690479</id>
  <link type="text/html" href="http://www.theverge.com/2013/1/28/3926438/2013-sundance-film-festival-technology-and-film-culture-mix-in-park" rel="alternate"/>
  <entry>
    <published>2013-01-26T18:55:47Z</published>
    <updated>2013-01-26T18:55:47Z</updated>
    <title>All about Steve: Ashton Kutcher carries 'Jobs' with a feverish take on Apple's co-founder</title>
    <content type="html">
  




  &lt;img alt=&quot;Ashton-kutcher-as-steve-jobs_large&quot; src=&quot;http://cdn1.sbnation.com/entry_photo_images/7582981/ashton-kutcher-as-steve-jobs_large.jpg&quot; /&gt;





  &lt;p&gt;Cupertino, 1980. Steve Jobs is giving an impassioned motivational speech to a small team working on Apple&amp;rsquo;s Lisa. &quot;It&amp;rsquo;s social status. It&amp;rsquo;s social currency,&quot; he says. His voice is deliberate, paced to emphasize the most emotionally-driven words. On the whiteboard behind him it reads &quot;File | Edit | Page Layout | Format.&quot; He asks the team how many typefaces are in Lisa, who in turn respond that it was deemed a less pressing issue. This isn&amp;rsquo;t the answer Jobs expected.&lt;/p&gt;

&lt;p&gt;&quot;Everything&amp;hellip; is a pressing issue,&quot; he says, his once-inspirational demeanor quickly escalating into a quiet rage. One of the programmers continues to disagree, arguing that it was a necessary compromise. It&amp;rsquo;s at this point that Jobs&amp;rsquo; temper boils over. He shouts...&lt;/p&gt;
  &lt;p&gt;
    &lt;a href=&quot;http://www.theverge.com/2013/1/26/3918660/jobs-review-sundance-ashton-kutcher&quot;&gt;Continue reading&amp;hellip;&lt;/a&gt;
  &lt;/p&gt;



</content>
    <link type="text/html" rel="alternate" href="http://www.theverge.com/2013/1/26/3918660/jobs-review-sundance-ashton-kutcher"/>
    <id>http://www.theverge.com/2013/1/26/3918660/jobs-review-sundance-ashton-kutcher</id>
    <author>
      <name>Ross Miller</name>
    </author>
  </entry>
  <entry>
    <published>2013-01-22T19:41:54Z</published>
    <updated>2013-01-22T19:41:54Z</updated>
    <title>Shane Carruth&#8217;s &#8216;Upstream Color&#8217; is a trippy, sci-fi take on the forces that bind us together</title>
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  &lt;img alt=&quot;Uc_unit_photo_01_large&quot; src=&quot;http://cdn2.sbnation.com/entry_photo_images/7560577/UC_Unit_Photo_01_large.jpg&quot; /&gt;





  &lt;p&gt;Nine years ago, Shane Carruth won Sundance&amp;rsquo;s Grand Jury Prize for &lt;em&gt;Primer&lt;/em&gt;, a complex science fiction tale about the ramifications of time travel. Famously filmed on a $7,000 budget, &lt;em&gt;Primer&lt;/em&gt; went on to gain a cult following for its incredibly strong and incredibly twisty plot (spoiler: &lt;a href=&quot;http://unrealitymag.com/index.php/2011/09/30/at-last-a-definitive-timeline-for-primer/&quot; target=&quot;new&quot;&gt;this is as close as you can get to understanding it all&lt;/a&gt;).&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Upstream Color&lt;/em&gt; is only Carruth&amp;rsquo;s second film, shot on a decidedly larger budget and coming to theaters in April (it debuted this week at Sundance). Think of it as Terrence Malick-meets-Trent Reznor: abstract, brooding, moody, at times graphic. If you&amp;rsquo;re willing to accept a broader, more indirect interpretation of &amp;ldquo;storytelling,&amp;rdquo; what you get is a flawed-but-fascinating exploration into the...&lt;/p&gt;
  &lt;p&gt;
    &lt;a href=&quot;http://www.theverge.com/2013/1/22/3903524/upstream-color-review-shane-carruth-sundance&quot;&gt;Continue reading&amp;hellip;&lt;/a&gt;
  &lt;/p&gt;



</content>
    <link type="text/html" rel="alternate" href="http://www.theverge.com/2013/1/22/3903524/upstream-color-review-shane-carruth-sundance"/>
    <id>http://www.theverge.com/2013/1/22/3903524/upstream-color-review-shane-carruth-sundance</id>
    <author>
      <name>Ross Miller</name>
    </author>
  </entry>
  <entry>
    <published>2013-01-21T14:16:26Z</published>
    <updated>2013-01-21T14:16:26Z</updated>
    <title>How one man made a film at Disney World without Disney's permission</title>
    <content type="html">
  




  &lt;img alt=&quot;Disney_world_main_entrance_large&quot; src=&quot;http://cdn0.sbnation.com/entry_photo_images/7553395/Disney_World_Main_Entrance_large.png&quot; /&gt;





  &lt;p&gt;There's a palpable buzz at this year's Sundance Film Festival, and much of it is swirling around an obscure, black-and-white movie that may never see a commercial release. That's because Randy Moore's &lt;i&gt;Escape from Tomorrow&lt;/i&gt; is &lt;a href=&quot;http://www.latimes.com/entertainment/envelope/moviesnow/la-et-mn-sundance-2013-escape-from-tomorrow-disneyland-randy-moore-release-20130118,0,4296.story&quot; target=&quot;_blank&quot;&gt;more than just a film&lt;/a&gt;; it's an exercise in guerilla moviemaking, and a meditation on our own gawk-fueled culture.&lt;/p&gt;
&lt;p&gt;The movie debuted at Sundance on Friday to largely glowing reviews, though its incredible backstory began three years ago, when Moore decided to shoot a film at Disney World &lt;i&gt;without&lt;/i&gt; Disney's permission. Armed with a Canon camera and a skeleton crew of actors, the 36-year-old director began surreptitiously filming at both Disney World in Orlando and Disneyland in Anaheim, taking every precaution to keep...&lt;/p&gt;
  &lt;p&gt;
    &lt;a href=&quot;http://www.theverge.com/2013/1/21/3899200/escape-from-tomorrow-movie-sundance-premier&quot;&gt;Continue reading&amp;hellip;&lt;/a&gt;
  &lt;/p&gt;



</content>
    <link type="text/html" rel="alternate" href="http://www.theverge.com/2013/1/21/3899200/escape-from-tomorrow-movie-sundance-premier"/>
    <id>http://www.theverge.com/2013/1/21/3899200/escape-from-tomorrow-movie-sundance-premier</id>
    <author>
      <name>Amar  Toor</name>
    </author>
  </entry>
  <entry>
    <published>2013-01-19T23:32:04Z</published>
    <updated>2013-01-19T23:32:04Z</updated>
    <title>Watch these Sundance short films to learn the dangers of catnip and zombies</title>
    <content type="html">
  




  &lt;img alt=&quot;Catnip_large&quot; src=&quot;http://cdn2.sbnation.com/entry_photo_images/7550619/CATNIP_large.jpg&quot; /&gt;





  &lt;p&gt;In what's becoming an &lt;a href=&quot;http://youtube-global.blogspot.ca/2012/01/bringing-creativity-of-sundance-film.html&quot; target=&quot;_blank&quot;&gt;annual tradition&lt;/a&gt;, YouTube has partnered with the Sundance Film Festival to offer a small selection of short films through its Screening Room channel. This year you'll be able to watch a dozen short movies that will be making their debuts at Sundance; they've been selected from the 64 shorts to be screened at the festival starting this weekend. It's not a huge selection, and you won't be able to see &lt;a href=&quot;http://www.theverge.com/2012/12/3/3723954/ashton-kutchers-steve-jobs-sundance-film-festival&quot;&gt;Ashton Kutcher's portrayal of Steve Jobs&lt;/a&gt;, but there's quite a range of free movies to enjoy &amp;mdash; covering everything from the horrors of catnip to, of course, the undead. And when you're finished watching these, YouTube says the channel will continue to be updated with movies from filmmakers who have been featured at...&lt;/p&gt;
  &lt;p&gt;
    &lt;a href=&quot;http://www.theverge.com/2013/1/19/3894784/sundance-short-films-on-youtube&quot;&gt;Continue reading&amp;hellip;&lt;/a&gt;
  &lt;/p&gt;



</content>
    <link type="text/html" rel="alternate" href="http://www.theverge.com/2013/1/19/3894784/sundance-short-films-on-youtube"/>
    <id>http://www.theverge.com/2013/1/19/3894784/sundance-short-films-on-youtube</id>
    <author>
      <name>Andrew Webster</name>
    </author>
  </entry>
  <entry>
    <published>2012-12-03T22:25:02Z</published>
    <updated>2012-12-03T22:25:02Z</updated>
    <title>Ashton Kutcher's portrayal of Steve Jobs to debut at the Sundance Film Festival in January</title>
    <content type="html">
  




  &lt;img alt=&quot;Jobs_ashton_kutcher_large&quot; src=&quot;http://cdn0.sbnation.com/entry_photo_images/7295241/jobs_ashton_kutcher_large.jpg&quot; /&gt;





  &lt;p&gt;This coming January is likely to be the first time that anyone outside of a production facility will get a look at &lt;i&gt;jOBS&lt;/i&gt;, the &lt;a href=&quot;http://www.theverge.com/2012/4/1/2918801/ashton-kutcher-steve-jobs-movie&quot;&gt;new biopic of Steve Jobs starring Ashton Kutcher&lt;/a&gt;. The movie, which was initially announced in April of this year, covers &lt;a href=&quot;http://www.theverge.com/2012/4/15/2949033/steve-jobs-movie-ashton-kutcher-planned-release-date&quot;&gt;30 years of Jobs' life from 1971 to 2000&lt;/a&gt; as an entrepreneur and leader of such companies as Apple, NeXT, and Pixar. It also stars Dermot Mulroney, Josh Gad, Lukas Haas, J.K. Simmons, and Matthew Modine.&lt;/p&gt;
&lt;p&gt;The movie is not based on Walter Isaacson's biography of Jobs, released shortly after Jobs' death last fall. A separate film that is &lt;a href=&quot;http://www.theverge.com/2012/11/15/3650260/aaron-sorkin-steve-jobs-movie-three-30-minute-sections&quot;&gt;based on Isaacson's book is also in the works&lt;/a&gt;, and is being written by famed screenplay author Aaron Sorkin.&lt;/p&gt;
&lt;p&gt;&lt;i&gt;jOBS&lt;/i&gt; is set to be screened on January 27, 2013, the...&lt;/p&gt;
  &lt;p&gt;
    &lt;a href=&quot;http://www.theverge.com/2012/12/3/3723954/ashton-kutchers-steve-jobs-sundance-film-festival&quot;&gt;Continue reading&amp;hellip;&lt;/a&gt;
  &lt;/p&gt;



</content>
    <link type="text/html" rel="alternate" href="http://www.theverge.com/2012/12/3/3723954/ashton-kutchers-steve-jobs-sundance-film-festival"/>
    <id>http://www.theverge.com/2012/12/3/3723954/ashton-kutchers-steve-jobs-sundance-film-festival</id>
    <author>
      <name>Dan Seifert</name>
    </author>
  </entry>
</feed>
