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Turns out you can win an Oscar even if you’re a messy editor

As a video person myself, I absolutely love seeing screenshots of Adobe Premiere timelines from major movies. For one, it’s weirdly mesmerizing, and two... sometimes it makes me feel better about my own organized mess.

Here’s a short snippet where Paul Rogers, the editor of Everything Everywhere All At Once, talks about his workflow. (Also, be sure to check the replies to that tweet to see some other examples.)