Music Review - The Verge

Bon Iver obscures his vulnerability with vocal effects on 22, A Million

Sep 29, 2016|

Frank Ocean's Blonde exists in a beautiful limbo

Aug 22, 2016|

Frank Ocean's visual album Endless is an exercise in enjoying the wait

Aug 19, 2016|

Rae Sremmurd are out to prove they’re not just a novelty

Aug 15, 2016|

Nao's peculiar voice is what makes her debut album For All We Know stand out

Jul 29, 2016|

nonkeen's new music captures the joy of lifelong friendship

Jul 13, 2016|

The Avalanches' long-awaited new album Wildflower enables musical escapism

Jul 8, 2016|

Shura's debut album Nothing's Real feels like comfort amid chaos

Jul 8, 2016|

Pioneering producers Lindstrøm and Aphex Twin are still at the peak of their powers

Jul 6, 2016|

Bat for Lashes and Blood Orange push the boundaries of musical storytelling

Jul 1, 2016|

Deerhoof's new album proves they're still one of the coolest bands working

Jun 24, 2016|

Disclosure's new EP is good enough to win you back

Jun 22, 2016|

Mitski's new album Puberty 2 will make you feel like a teen again

Jun 17, 2016|

Nick Jonas really wants to be your favorite male pop star

Jun 14, 2016|

Tegan and Sara's Love You to Death is pop music for grown-ups

Jun 3, 2016|

Time eaters: reviewing new albums from Lone, Flume, and Gold Panda

Jun 2, 2016|

Checking in with pop's B-list: Fifth Harmony, Ariana Grande, and Meghan Trainor

May 27, 2016|

On Coloring Book, Chance the Rapper wades joyfully into new territory

May 16, 2016|

Jessy Lanza's new album Oh No commands your attention

May 13, 2016|

Radiohead's new album A Moon Shaped Pool turns anxiety into generosity

May 10, 2016|

On The Colour in Anything, James Blake finds comfort in emptiness

May 9, 2016|

ANOHNI's new album HOPELESSNESS is stunning, strident protest music

May 7, 2016|

Julianna Barwick’s Will is a meditative album that has blissfully little to do with 2016

May 6, 2016|

Kaytranada sounds cool and confident on his debut album 99.9%

May 4, 2016|

Views is the sound of Drake at his best, worst, and Drakiest

May 2, 2016|

Brian Eno's The Ship, and the family tree of ambient music

Apr 29, 2016|

Beyoncé's Lemonade is a dazzling social drama with a decent soundtrack

Apr 27, 2016|

M83's new album Junk is a befuddling mess

Apr 7, 2016|

Gallant and dvsn's debut albums are two wildly different takes on alt-R&B

Apr 6, 2016|

Leon Vynehall's Rojus turns a tropical club night into an intimate experience

Mar 31, 2016|

Yeasayer's Amen & Goodbye looks back, but doesn't say farewell

Mar 31, 2016|

The Field's still finding joy in repetition on his new album The Follower

Mar 30, 2016|

Zayn sounds like a boy among men on his solo debut Mind of Mine

Mar 28, 2016|

The Range makes obscure samples sound personal on Potential

Mar 25, 2016|

The 1975's new album is ambitious, absurd, and kind of awesome

Feb 25, 2016|

Animal Collective's new album is bright, tidy, and a little disappointing

Feb 19, 2016|

Kanye West's The Life of Pablo is an act of radical creative transparency

Feb 16, 2016|

DIIV's Is the Is Are is drowsy, disconcerting dream-pop

Feb 5, 2016|

Junior Boys try to make techno intimate on Big Black Coat

Feb 5, 2016|

Rihanna's leaving radio behind on the strange, defiant ANTI

Jan 28, 2016|

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