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TIFF

Takashi Miike’s crime thriller First Love is a wild ride

By Tasha Robinson
4 comments / new

The Indonesian superhero film Gundala is out to launch a vast cinematic universe

By Tasha Robinson
13 comments / new

Rian Johnson’s Knives Out breaks the mystery genre, then rebuilds it

The writer-director of Brick and The Last Jedi understands genre conventions, but he just finds them funny

By Tasha Robinson
15 comments / new

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Freaks is a thrilling science fiction film worth knowing nothing about

By Tasha Robinson
4 comments / new

Taika Waititi’s Hitler comedy Jojo Rabbit needs way more Hitler

By Tasha Robinson
10 comments / new

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Outlaw King is a purposeful but empty bid for Netflix’s filmmaking legitimacy

By Tasha Robinson
25 comments / new

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The new Halloween is a slasher movie with an actual message

By Bryan Bishop
10 comments / new

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First Man is one of the most intense space movies of all time

By Bryan Bishop
24 comments / new

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Netflix’s Hold the Dark throws Jeffrey Wright to the wolves

By Tasha Robinson
9 comments / new

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Destroyer is a guilt-ridden detective story made by one incredible director

By Bryan Bishop
2 comments / new

Lessons from TIFF on the next year in film

By Tasha Robinson and Bryan Bishop
4 comments / new

This stream has:

TIFF 2018: reviews and reports from the Toronto International Film Festival

By Tasha Robinson and Bryan Bishop

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A Star is Born proves some Hollywood stories are timeless for a reason

By Bryan Bishop
5 comments / new

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The Predator could have been the franchise’s chance to finally have an identity

By Bryan Bishop
21 comments / new

Netflix’s John Woo movie Manhunt plays like a joyous parody of his action classics

By Tasha Robinson
4 comments / new

I Kill Giants preserves its source comic’s emotion and mystery

By Tasha Robinson
5 comments / new

The Verge’s TIFF 2017 Awards

By Tasha Robinson and Bryan Bishop
1 comment / new

What binge-watching bloody movies at TIFF taught us about the modern horror genre

By Tasha Robinson and Bryan Bishop
4 comments / new

Mary Shelley is a gothic romance that can’t be raised from the dead

By Bryan Bishop
1 comment / new

Downsizing takes the dullest path through a brilliant premise

By Tasha Robinson
5 comments / new

The Disaster Artist is so good, it actually makes me want to rewatch The Room

By Bryan Bishop
10 comments / new

Louis C.K. made a secret 35mm movie, and it’s coming to the Toronto Film Festival

By Shannon Liao
7 comments / new

TIFF is putting $3 million toward fighting Hollywood’s horrendous sexism problem

By Kaitlyn Tiffany
13 comments / new

Moonlight is a beautifully nuanced gay coming-of-age tale

By Tasha Robinson
5 comments / new

A Monster Calls is so good you won't care that you're crying

By Bryan Bishop
12 comments / new

La La Land is a gloriously earnest Singin' in the Rain for the 21st Century

By Tasha Robinson
3 comments / new

Arrival is a soulful sci-fi instant classic

By Bryan Bishop
34 comments / new

In Loving, Jeff Nichols' version of history is as quiet as the real thing

By Tasha Robinson
5 comments / new

With Netflix's film Mascots, Christopher Guest trades in raucous humor for bland sincerity

By Tasha Robinson
6 comments / new

The Birth Of A Nation is a familiar but necessary awards-bait historical spectacle

By Tasha Robinson
23 comments / new

Andrea Arnold on the cross-country party that produced American Honey

By Tasha Robinson

La La Land starts its journey to Oscar dominance with TIFF's People's Choice Award

By Tasha Robinson
3 comments / new